Unheard Mozart

Advantages: Fun, comic, lyrical
Disadvantages: Sung in italian

...The Composer Wolfgang Amadus Mozart was born in Salzburg on the 27th January 1756. A child protegy, he began composing from a very early age. He was at ease writing in every genre of music but it was in opera that Mozart’s chief passion lay. He composed Don Giovanni in 1787 whilst in Prague. The Music Don Giovanni is a comic opera dealing with the contemporary tensions of class and sex. Giovanni is a Spanish nobleman with an insatiable desire for sexual conquests. The scene is Seville, Giovanni arrives masked persued by Donna Anna who he has tried to seduce. Her father hears her cries and is killed in a duel by Giovanni. The music falls into a dramatic silence followed by a trio of male voices baritone and bass which combine to express the sadness and shock of the death. Ultimately Giovanni is consigned to eternal damnation... Read review

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Advantages: Classic Brendel, good sound
Disadvantages: Classic Brendel

...After having spent quite some time, both in the studio and the concert hall, concentrating exclusively on the Beethoven Piano Sonatas and Piano Concertos, Brendel, whilst always being limited to some, (not inconsiderable, it seems) extent by physical problems in and around the areas of his back and arms, is now free to explore other music avenues. This is the second disk of Brendel's Mozart with which we have been presented over the recent past; the other being his account of two of the concertos. Here we have performances of 3 of the unaccompanied sonatas. Brendel has long been considered as being a Mozartian of zest and insight. But, for me at least, his interprtations of this Master can seem a little quirky. Its as if he doesn't, in some way, relate to the personality and musical language of Mozart with quite the same success... Read review

Ciao members have rated this review on average somewhat helpful

Advantages: One of the finest casts ever
Disadvantages: Mono Sound, that's all

...MOZART - COSI FAN TUTTE - KARJAN EMI PLEASE COMMENT ON THIS REVIEW SO I CAN IMPROVE MY REVIEWS IN THE FUTURE!!! When critics line up the best available recordings of Mozart's superb comic opera "Così fan tutte" two recordings are almost invariably up there, Karl Böhm's second recording from 1962 (EMI - Stereo) and Herbert von Karajan's recording from 1954 (EMI - Mono). The remarkable Elisabeth Schwarzkopf is present in both recording as the charming Fiordiligi. I prefer her fresher voice in 1954 but she, like the other artists in the Böhm recording, benefit from the fresh stereo sound. One of the glories of the gramophone is Schwarzkopf, Merriman and Bruscantini in "Soave sia il vento" - simply breathtaking as regards phrasing, beauty of tone and the organic feeling to the ensemble. Giuseppe Taddei (Böhm) and Rolando Panerai (Karajan... Read review

Ciao members have rated this review on average helpful