Verdi: Requiem; Quattro pezzi sacri

This version of Verdi's Requiem sounds absolutely terrific. The chorus has lots of presence -so important in the famous Dies Irae and the soloists are miked beautifully. The 'Hostias' and 'Ingemisco' are some of the finest recordings of Luciano Pavarotti available. Arguably he had more character by the time of his later recording from the late 80s with Riccardo Muti but he is caught here at his finest vocally with the hushed ingemisco amongst the ...
...been criticised quite a lot by critics that think she should not have recorded Verdi roles (similar complaints surround her Traviatas, her Leonora in Il Trovatore and her Elvira in Ernani). I really like her in this music. She is certainly preferable in my opiion to Schwarzkopf (Giulini/EMI and De Sabata (Naxos)) or Nelli (singing for Toscanini). Her voice is very different from Angela Gheorghiu so if that is the sort of voice you like in this music ... more

This version of Verdi's Requiem sounds absolutely terrific. The chorus has lots of presence -so important in the famous Dies Irae and the soloists are miked beautifully. The 'Hostias' and 'Ingemisco' are some of the finest recordings of Luciano Pavarotti available. Arguably he had more character by the time of his later recording from the late 80s with Riccardo Muti but he is caught here at his finest vocally with the hushed ingemisco amongst the best of that much recorded aria. Joan Sutherland's performance has been criticised quite a lot by critics that think she should not have recorded Verdi roles (similar complaints surround her Traviatas, her Leonora in Il Trovatore and her Elvira in Ernani). I really like her in this music. She is certainly preferable in my opiion to Schwarzkopf (Giulini/EMI and De Sabata (Naxos)) or Nelli (singing for Toscanini). Her voice is very different from Angela Gheorghiu so if that is the sort of voice you like in this music you may be disappointed by Sutherland's style. Marilyn Horne is perhaps the most rounded of any of the soloists with a fine line and that glorious voice sitting well among these romantic surroundings despite her most commonly being associated with earlier works such as Rossini and bel canto. The conducting is a little fierce but very exciting. 

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