Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)
Main Performer: Gabriel Sadé (Tenor); Markella Hatziano (Mezzo soprano); Michèle Crider (Soprano); Robert Lloyd (Bass)
Orchestra / Ensemble(s): London Symphony Chorus (amateur) Choir; London Symphony Orchestra
Date of Release: 06/1996
Recomended Retail Price: 15.99 GBP
Label / Distributor: Chandos / Select
Pieces in Set: 1
Running Time: 1 hour 20 minutes
Genre(s): Vocal and choral
Producer: Brian Couzens
SPAR Code: DDD
EAN: 95115949023
Work 1
Work Title: Messa da Requiem
Excerpt(s): 1. Requiem 2. Dies irae 3. Tuba mirum 4. Liber scriptus 5. Quid sum miser 6. Rex tremendae 7. Recordare 8. Ingemisco 9. Confutatis maledictis 10. Lacrymosa 11. Offertorio 12. Sanctus 13. Agnus Dei 14. Lux aeterna 15. Libera me
Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)
Genre: Vocal & Choral
Date Written: 1874
Date Recorded: 1995
Conductor: Richard Hickox
Orchestra / Ensemble: London Symphony Orchestra
Orchestra / Ensemble: London Symphony Chorus (amateur) Choir
Main Performer: Gabriel Sadé (Tenor), Markella Hatziano (Mezzo soprano), Michèle Crider (Soprano), Robert Lloyd (Bass)
Opera Part(s): Gabriel Sadé, Markella Hatziano, Michèle Crider, Robert Lloyd
Location of Work Recording: All Saints' Church, Tooting Graveney, London SW17
Advantages: Glorious recorded sound, a fine group of soloists Disadvantages: Some fans may not like Sutherland in this music
...This version of Verdi's Requiem sounds absolutely terrific. The chorus has lots of presence -so important in the famous Dies Irae and the soloists are miked beautifully. The 'Hostias' and 'Ingemisco' are some of the finest recordings of Luciano Pavarotti available. Arguably he had more character by the time of his later recording from the late 80s with Riccardo Muti but he is caught here at his finest vocally with the hushed ingemisco amongst the best of that much recorded aria. Joan Sutherland's performance has been criticised quite a lot by critics that think she should not have recorded Verdi roles (similar complaints surround her Traviatas, her Leonora in Il Trovatore and her Elvira in Ernani). I really like her in this music. She is certainly preferable in my opiion to Schwarzkopf (Giulini/EMI and De Sabata (Naxos)) or Nelli...
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Ciao members have rated this review on average somewhat helpful
Advantages: Allows you to relive the film from moment to moment, wonderful composition, Additctive overture. Disadvantages: Tracks are fragmented and short
...Requiem for a dream .. aka Delusion Over Addiction
Soundtracks accompany and enhance the experience of a movie. But seldom does it happen that that the score is so good that it stands out on its own to be marvelled at….
The Film ~
Requiem for a Dream, is an adaptation of Hubert Selby's 1978 novel about the harrowing lives of four drug addicts. A mother her son and his beloved Girlfriend, all who become dependant upon drugs and suffer mental illness. This film documents the emotional downfall of these characters, and illustrates their sheer drug induced desperation and melancholy quite graphically. Don't expect any happy end for its swamped in tragedy.
The film itself is highly stylised. Aronofsky tries to a degree through surrealist imagery to create a realism where you become emotionally connected with the characters...
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Ciao members have rated this review on average helpful
Advantages: Interesting, beautifull, well written Disadvantages: Bad choice of soloists
...The Requiem, written shotly after his fathers death, is the only piece in this genre that Andrew Lloyd Webber has written. It is a relatively short piece, only 45 minutes long (NOT as the CD discription says, 1h 45min!!), written for chamber orchestra, organ, SATB choir and tenor, soprano and treble soloists. It uses the well known texts of the Requiem mass. I find the music beautifull in a haunting way.
The music os mainly classical, but bears a modern touch, which is refreshing. The music is reasonably easy to sing for a choral singer, which makes it an attractive piece for choirs.
This recording uses a boy choir and the soloist Placido Domingo (tenor), Sarah Brightman (soprano) and Paul Miles-Kingston. To me, the soloist are the weakest part of the recording. Placido Domingos voice is to heavy to manage the fast Hosanna, Sara...
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Ciao members have rated this review on average helpful