Virtuoso Arias
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Virtuoso Arias

1CD(s) - Label:Erato - Distributor:TEN - Run Time:1 hour 14 minutes - DDD - Released:03/1995 - 745099723927

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Sumi Jo; Virtuoso Arias
Release Date: 1995-02-06, Audio CD, Erato
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Release Date: 1995-02-06, Audio CD, Erato
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Release Date: 2001-11-05, Audio CD, Virgin Veritas
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Release Date: 1995-02-06, Audio CD, Erato
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Virtuoso Arias

Main specs

Title: Virtuoso Arias

Composer: Gioachino (Antonio) Rossini (1792 - 1868); Vincenzo Bellini (1801 - 1835); (Clément Philibert) Léo Delibes (1836 - 1891); Giuseppe (Fortunino Francesco) Verdi (1813 - 1901); Giacomo Meyerbeer (1791 - 1864); (Domenico) Gaetano (Maria) Donizetti (1797 - 1848); Richard (Georg) Strauss (1864 - 1949); Leonard Bernstein (1918 - 1990); Young-Ha Yoon (20th cent); Wolfgang Amadeus Mozart (1756 - 1791)

Main Performer: Sumi Jo (Soprano)

Orchestra / Ensemble(s): Monte Carlo Philharmonic Orchestra; Orchestre de Paris Chamber Ensemble Orchestra

Date of Release: 03/1995

Label / Distributor: Erato / TEN

Pieces in Set: 1

Running Time: 1 hour 14 minutes

Genre(s): Stage works, Vocal and choral

Producer: Tim Oldham

SPAR Code: DDD

EAN: 745099723927

Catalogue Number: 4509

Work 1

Work Title: (Il) Barbiere di Siviglia, '(The) Barber of Seville'

Excerpt(s): 1. Una voce poco fa
2. Io son docile

Composer: Gioachino (Antonio) Rossini (1792 - 1868)

Genre: Stage works

Date Written: 1816

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 2

Work Title: (La) Sonnambula

Excerpt(s): 1. Ah! non credea mirarti
2. Ah! non giunge

Composer: Vincenzo Bellini (1801 - 1835)

Genre: Stage works

Date Written: 1831

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 3

Work Title: Lakmé

Excerpt(s): 1. Où va la jeune indoue (Bell Song)
2. Là-bas dans la forêt plus sombre

Composer: (Clément Philibert) Léo Delibes (1836 - 1891)

Genre: Stage works

Date Written: 1883

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 4

Work Title: Rigoletto

Excerpt(s): 1. Gualtier Maldè
2. Caro nome

Composer: Giuseppe (Fortunino Francesco) Verdi (1813 - 1901)

Genre: Stage works

Date Written: 1851

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 8

Date Written: 1956

Work 5

Work Title: Dinorah, '(Le) pardon de Ploërmel'

Excerpt(s): 1. Ombre légère (Shadow Song)

Composer: Giacomo Meyerbeer (1791 - 1864)

Genre: Stage works

Date Written: 1859

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 6

Work Title: Lucia di Lammermoor, '(The) Bride of Lammermoor'

Excerpt(s): 1. Il dolce suono; Ardon gl'incensi; Alfin son tua; Spargi d'amaro pianto (Mad Scene)

Composer: (Domenico) Gaetano (Maria) Donizetti (1797 - 1848)

Genre: Stage works

Date Written: 1835

Date Recorded: 1994

Conductor: Paolo Olmi

Work 8

Date Recorded: 1994

Work 6

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 7

Work Title: Ariadne auf Naxos, Op. 60

Excerpt(s): 1. Grossmächtige Prinzessin

Composer: Richard (Georg) Strauss (1864 - 1949)

Genre: Stage works

Date Written: 1912, rev 1916

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 8

Work Title: Candide

Excerpt(s): 1. Glitter and be gay

Composer: Leonard Bernstein (1918 - 1990)

Genre: Stage works

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 9

Work Title: Barley Field

Excerpt(s): 1. Barley Field

Composer: Young-Ha Yoon (20th cent)

Genre: Vocal & Choral

Date Recorded: 1994

Conductor: Paolo Olmi

Orchestra / Ensemble: Monte Carlo Philharmonic Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

Work 10

Work Title: (Die) Zauberflöte, '(The) Magic Flute', K620

Excerpt(s): 1. Der Hölle Rache

Composer: Wolfgang Amadeus Mozart (1756 - 1791)

Genre: Stage works

Date Written: 1791

Date Recorded: 1994

Conductor: Armin Jordan

Orchestra / Ensemble: Orchestre de Paris Chamber Ensemble Orchestra

Main Performer: Sumi Jo (Soprano)

Opera Part(s): Sumi Jo

Location of Work Recording: Monte-Carlo

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Listed on Ciao since : 23/05/2005


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Review of Vesselina Kasarova: Famous Mezzo Arias by EpinionSmorg

Advantages: Kasarova's personal touch. Virtuosic without showing off
Disadvantages: She doesn't keep singing forever

...This CD is a compilation of 10 operatic arias for the mezzo soprano voice. The line up ranges from the Baroque opening number to the Classical Mozart to the late Romantic Bel Canto Donizetti opera numbers. All are gloriously sung by the Bulgarian mezzo Vesselina Kasarova, and beautifully accompanied by maestro Friedrich Haider and the Munich Radio Orchestra/ Chorus of the Bavarian Radio. Vesselina Kasarova is known for her multi-coloured deep and melancholy voice (a very distinctly identifiable one at that!) and her interpretative intensity. Every note that she sings is a part of the story she is telling. Her florid coloratura (virtuoso decoration of the main melodic line) is legendary, and yet they are never gratuitous. This is a dream singer for anyone who likes drama and theatrically involved singing..... and she doesn't compromize... Read review

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Review of (The) Radiant Voice of Barbara Bonney by bubblegum_princess

Advantages: Bonney's gorgeous voice; intelligent singing; great selection of songs
Disadvantages: No translations included

...sound equally as comfortable singing a quirky 20th Century song as they do singing early music, but Bonney has this tremendous versatility. Her singing also displays an intelligence often lacking in modern singers, giving her songs a huge emotional impact. ‘The Radiant Voice of Barbara Bonney’ reads like a ‘greatest hits’ album, filled with individual gems which reflect the success which she has had in her professional life. The track listing flows roughly chronologically (in terms of when the works were composed) which works well, giving the listener a sort of mini tour of the history of music. There is a rich variety of music on this album, putting early music alongside operatic arias and 20th Century songs, and the accompaniments also lend a fantastic variety, ranging to the lute accompanied Dowland song... Read review

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Hear hysterical heroines here!
Review of Renée Fleming - Bel Canto [SACD] by Maestrolover

Advantages: Virtuosic operatic vocalism, unusual repertoire, mad scenes...
Disadvantages: Fleming's voice is maybe not best suited for this...

...Bel Canto - she sure can belto If there is any area in classical music which polarises opinion more than singers and singing, then I have yet to come across it. I've been in opera performances where the conductor has had to halt the show after an aria, because of one portion of the audience booing the singer, whilst the other tried to drown out their boos with cheers... Or I remember another occasion in a very elite Viennese concert-hall where two very well dressed gentlemen came to blows after one made "an insulting remark" about the other's favourite soprano. People can get pretty vocal and worse about their favourite or least favourite vocalists. I think the other big problem is that a singer can be great in some repertoire but then take a nose-dive in other areas and this is one factor in this particular CD. The human voice... Read review

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