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SHOPPING > Music > Folk & Country > Wide Open Spaces - Dixie Chicks > Reviews

Wide Open Spaces - Dixie Chicks

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Wide Open Spaces - Dixie Chicks

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Whistling Dixie

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4 Aug 7th, 2005 

72 Ciao members have rated this review on average: very helpful

Advantages:
Some great country - pop tracks

Disadvantages:
Maybe too pop for country fans and too country for bubblegum pop fans

Recommendable Yes:

Detailed rating:

Originality

Lyrics

Quality and consistency of tracks

How does it rate alongside the competition

Value for Money

Soho_Black

Soho_Black

About me:

"I always keep a stimulant handy in case I see a snake - which I also keep handy" - W. C. ...

Member since:30.08.2002

Reviews:414

Members who trust:556

It's confession time. Much as I try to deny it, I am a closet country music fan. I blame the influence of my father, who honestly believed that the antidote to my mother's constant playing of Elvis Presley and Cliff Richard records lay in the songs of Dolly Parton, Kenny Rogers and Crystal Gayle. Maybe I should have told them they were both wrong, but that's kind of difficult when you're just a baby and haven't learned how to talk yet.

Still, I thought I'd gotten away with it for many years. I survived my teens in that house by listening to rock music whilst sneering at the original rock 'n' roll my mother was playing. I honestly believed I meant it when I told my Dad that Tammy Wynette's song with the KLF was her best. I laughed like a drain at Billy Ray Cyrus' "Achy Breaky Heart", knowing that was music for my parents and I wasn't them, so there was no call for me to like it.

Evidently, I wasn't alone, as the United Kingdom had never embraced country music with quite the same vigour as the United States. But in 1999, that all threatened to change. Faith Hill had managed a fairly decent hit single with the country-pop sounding "This Kiss" in late 1998, and Shania Twain's country-rock was going down a storm with the British public. Into this arena stepped the Dixie Chicks, with a slightly more country sound that Faith Hill, but with a pop edge that would hopefully make them more acceptable.

Maybe they caught me at a weak moment. Maybe it was the album cover with three attractive blondes on the cover, the Dixie Chicks themselves, that reeled me in. Maybe I was still slightly stunned at discovering I actually quite liked their Grammy Award winning single "There's Your Trouble" and had taken temporary leave of my sense. But, as they hoped many would do, I bought their "Wide Open Spaces" album, perhaps hoping it would prove I was right all along, and my liking of a couple of country based songs (I was also a fan of "This Kiss") was only a temporary thing.

It didn't take long for "I Can Love You Better" to change my mind. It's a jaunty, bouncy up-tempo pop tune with a slight country twang in the vocals and guitars that are really about the only things to distinguish the song from any decent pop song. It's one that gets your feet tapping and would sound great played loud on the road with the soft-top down.

"Wide Open Spaces" is a slower song, with a bit more of a country edge to it, especially as the fiddle is more noticeable. But in the end, it's largely a mid-tempo pop song, just edged with a bit of a country influence and almost traditional country music theme, that of leaving home and moving on, rather than being a full-on country song.

If the last couple of songs were pop songs with a country edge, "Loving Arms" is simply a pop ballad. There is very little to provide an indication that it's performed by a country act although it does remind me a little of the kind of thing Crystal Gayle used to do, although the group vocal is perhaps a little more like the Corrs.

"There's Your Trouble" is the song that got me into this. With the fiddle intro and the theme of breaking up, it has all the hallmarks of a country song, but still manages to retain an upbeat poppy edge, although less so than any of the previous tracks. It's a wonderful track, again made to be played loud on a car stereo with a long highway ahead of you.

"You Were Mine" is pretty much along the same style as "Loving Arms". Apart from the slide guitar and the occasional fiddle, this is essentially a pop ballad that wouldn't be too out of place in the hands of Faith Hill, now that she seems to be concentrating on more pop-orientated music.

The theme continues with "Never Say Die", although there's more fiddle and slide guitar and a more distinctive bass line that somehow marks this out as being more of a country ballad. It does sound as if there's a slight pop edge to it, though, as it doesn't quite seem to have that full on country twang I'd associate with the likes of Dolly Parton and Tammy Wynette.

That sound is more apparent on "Tonight the Heartache's On Me". You've got the fiddle, the bouncing bass line and the country theme of heartbreak all present. Even the vocal seems to have more of a country twang to it. It's a kind of mid-tempo tune that you can almost envisage line dancing along to and it's actually quite difficult not to jump out of your chair and do exactly that!

"Let 'Er Rip" starts off as if it's going to be a slower number, but then turns into a country music party! It's another one that almost inspires the subconscious line dancer in me and it's another really bouncy number like "There's Your Trouble", but a little more country sounding.

For the first time, I can just about imagine Dolly Parton not minding "Once You've Loved Somebody". It's similar to "Never Say Die", being a country ballad, with only the group vocals really making it sound much different from the old style country numbers, which for some reason I associate with solo artists, rather than groups.

"I'll Take Care of You" is along much the same lines, being another slower paced number. It's much more of a pop-influenced number, being far more similar to "Loving Arms" than "Never Say Die" or the last track. It's very much a last song of the night style ballad. Maybe, in much the same way that school discos always used to end with "Careless Whisper", this is how you close out a barn dance?

After a couple of slower numbers, "Am I the Only One (Who's Ever Felt This Way)" is a little quicker. You know that old film cliché, where there's always a fight on the dance floor during a barn dance? Well, if you had this song playing in the background, it would still work perfectly. It's not as upbeat as "There's Your Trouble", but there's less of a pop influence and it's a foot-tapping country number for the most part.

The album closes out with "Give It Up or Let Me Go", another faster number which has much the same effect as "Let 'Er Rip". It has all the hallmarks of a country song, with fiddle, banjo and slide guitar solos, and the "I'm not going to take any more" theme with a Southern accent. There's barely a hint of pop to finish off the album, which seems to be the way the tracks have headed.

It may be, having been bought up with a more old-school style of country music, that my impressions of the genre are a little out of date. To me, "Wide Open Spaces" doesn't sounds entirely like a country music album, more a pop-country music album. There are tracks on here that would fit fairly well in the country bracket, but equally there are others that could really only be considered straight pop tunes. However, looking at the output of artists like Shania Twain, Faith Hill and LeAnn Rimes over the last few years, it does seem that this is the way country music is headed. If that's the case, I like it!

This is an album that may offend country music purists by being a little too pop-influenced. Equally, it may well scare pop fans away by having a country edge, but for those a little more open to new or varying ideas, this could appeal. If you're like me and into a wide range of music, or someone with more of an admiration for country music, rather than an obsession with it, this could well be the kind of album you'll enjoy. It's got a number of bouncy, enjoyable numbers combined with some well crafted ballads that give the album a bit of a mixture and it's set out nicely to lead you gently towards the more country influenced songs later in the album

At only 44 minutes, it's not a long album, although that was a fairly typical playing time when it was released. However, it is available at a lower price than many albums, at £8.99 from Play.com or £7.99 from Amazon. For those who don't mind second hand copies, it has been seen at the Amazon Marketplace from £3.84 and on eBay from £1.80. If you like a bit of country, but not too much or if you're open to expending your musical horizons just a little into country music, this is a good way to begin and good value for a decent album.  

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Comments about this review »

tallulahbang 11.09.2005 14:40

Loved the 'closet country music fan' confession - good boy, acknowledging that you have a problem is the first step on the road to recovery. Great review, I hate all country music though (except Dolly, obviously). xx

Vodkaboy 06.09.2005 04:57

Interesting to read your thoughts on these. I'd always imagined it to be a manufactured band, country-pop's equivalent of the spice girls or the runaways, three bimbo's joined together, but you've given me new insight. Cheers!

grown_up_girlie 18.08.2005 01:11

A superb review that is really informative and interesting to read. Well written and presented. Vicx. x

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Wide Open Spaces - Dixie Chicks

The major-label debut from this Texas trio proves their instrumental abilities, blending ... more

more traditional twang with slow melodic blues,
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Wide Open Spaces - Dixie Chicks

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The major-label debut from this Texas trio proves their instrumental abilities, blending ... more

more traditional twang with slow melodic blues,
foot-tapping rockabilly, and bluegrass-inspired
pop harmonies. From the opener, "I Can Love You
Better", the Chicks...

amazon marketplace music

Postage & Packaging£1.21
AvailabilityUsually dispatched within 1-2 business days...
 Visit Shop  >
amazon marketplace m...
Wide Open Spaces - Dixie Chicks

Wide Open Spaces - Dixie Chicks

The major-label debut from this Texas trio proves their instrumental abilities, blending ... more

more traditional twang with slow melodic blues,
foot-tapping rockabilly, and bluegrass-inspired
pop harmonies. From the opener, "I Can Love You
Better", the Chicks...

amazon.co.uk

Postage & PackagingFree!
AvailabilityUsually dispatched within 24 hours...
 Visit Shop  >
amazon.co.uk
Wide Open Spaces - Dixie Chicks

Wide Open Spaces - Dixie Chicks

The major-label debut from this Texas trio proves their instrumental abilities, blending ... more

more traditional twang with slow melodic blues,
foot-tapping rockabilly, and bluegrass-inspired
pop harmonies. From the opener, "I Can Love You
Better", the Chicks...

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AvailabilityUsually dispatched within 24 hours...
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Wide Open Spaces - Dixie Chicks - review by Newfloridian

Advantages: A polished all round performance from three feisty lovely ladies
Disadvantages: None really

Wide Open Spaces - Dixie Chicks - review by Newfloridian Newfloridian 17.04.2003 · Read review
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Wide Open Spaces - Dixie Chicks - review by n.henry74

Advantages: Fantastic and fresh, empowering one minute, soul searching the next
Disadvantages: A couple of the tracks fall in the 'samey' category

Wide Open Spaces - Dixie Chicks - review by n.henry74 n.henry74 16.11.2005 (16.11.2005) · Read review
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Wide Open Spaces - Dixie Chicks - review by blodeuedd9

Advantages: All- round brilliance
Disadvantages: Sacrilege! Disadvantages on this album?

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Wide Open Spaces - Dixie Chicks - review by tracyjane71

Advantages: great country music, outstanding vocalist
Disadvantages: wish it had more tracks

Wide Open Spaces - Dixie Chicks - review by tracyjane71 tracyjane71 13.04.2007 (14.04.2007) · Read review
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Wide Open Spaces - Dixie Chicks - review by Shadowtwinchaos

Advantages: Great harmony, great lyrics, feels great to move to.
Disadvantages: Can be considered "Chick Music"

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